Before We Weave Ahead

My Structures Study Group has moved ahead to another weaving technique. Before we head over there, here are a few more photos of my Color and Weave adventures.

Changing color order in the weft changes the direction of all the little stripes. This swatch is 16/2 cotton sett at 30 e.p.i. The draft is an 8H Shadow Weave, #271 from Stickler.

Here is an experiment using variegated yarns at regular intervals in both warp and weft. The draft is the same. This warp is 20/2 cotton sett at 35 e.p.i. These colors really sing, don't they?

These two photos are another warp of Stickler #271. This time I used 8/2 Tencel in Silver Grey and Hunter. The scarf is hemmed because I always have trouble with scarf fringes catching on things and generally getting in my way. The extra little bit here is woven with the opposite color order. I was sorry that there wasn't enough warp left to weave and entire scarf this way.

Now for the RANT portion of my message:

Why does everything always have to change? I was happy with the old light bulbs, toilets that effectively flushed, detergents that fought grease, so many things . . . There are those who consider change to be progress. I like tried and true. Old is not necessarily bad. If that is too stick-in-the-mud, fine. But it is my opinion and I will gladly stand my ground because it is my ground.

And now Blogger has changed. The old one was fine and even though comments seemed unworkable, I was happy with the old interface. Why do we constantly have to reinvent the wheel?

Okay, I put that out there and I do appreciate your patience with my rant. Fortunately, I was able to revert. Otherwise this post would not be published. It may not even look right when it does. We shall see.

Warp On/Weave Off,
RepWeaver

Sunshine Table Runner

Sunshine Table Runner - Taqueté (unturned)
The piece on the right is a swatch exploring border possibilities

Although this winter has been mild, it has been unusually dark and rainy -  altogether gloomy. At last a few daffodils are blooming as are some of the early flowering trees. Seeing color return to the garden lifts my spirits. Weaving with happy colors does the same.

Today at a guild meeting my friend Linda said, “You haven’t posted on your blog for a while.” No, I haven’t. Why? I needed to take photos (Isn’t that a silly excuse?). Someone I care about noticed my silence. Talk about motivation.

After my Weave Structures Study Group looked at crepe weaves we turned our attention to Taqueté, actually Turned Taqueté. But I couldn’t bring myself to turn this structure. Turning it locks one into using the same pattern color order for the entire warp. So I threaded my loom in the usual way for Taqueté: 1,3,2,3 – 1,4,2,4 – for two blocks. You might recognize this as a Summer & Winter threading. The threading doesn’t delineate Taqueté from Summer and Winter. It is the way wefts are thrown that makes the difference. In Taqueté tie-down wefts are eliminated and only pattern wefts are thrown. The result is a weft-dominant cloth with vast design possibilities.

Taqueté Sunshine Runner - Detail

Sunshine & Taqueté Detail
Pattern wefts are orange and 
three shades of yellow

The warp here is 20/2 perle cotton sett at 30 e.p.i., combined with 10/2 perle cotton pattern wefts. I designed this little runner while weaving it and am happy with the result. It is a happy little table runner. The middle section worked out particularly well with two very close shades of yellow wefts. The pattern through the center is subtle but still effective.

This is a fun structure to weave with lots of possibilities. I have read Taqueté is a good structure for hand woven rugs so it will go on my “to do” list. The list is rather long though, so don’t hold your breath. In the meantime, Spring is nearly here!

Warp On/Weave Off,

RepWeaver

Summer Side Up

The year is rapidly slipping away. Tomorrow we begin anew. Slowly and surely daylight is growing longer. We look forward. It is an exciting time.

Little Grandbaby beneath his Wee Pine Tree Coverlet

As 2019 ebbs I had to share one more photo. It is my precious Grand beneath his Wee Pine Tree Coverlet. This time the “Summer” side shows. This is the side that was up on the loom when I wove it. You can see how the slightly darker threads running through the tree trunks create a pleasing secondary pattern. I like that. I enjoy weaving. Color is such fun! Very best of all is sharing my weaving with loved ones.

May 2020 bring you and yours great success and happiness. Happy New Year!

Warp On/Weave Off,

RepWeaver

Spring Sunshine and Happy Colors

Great Colors Make Me Happy

Things that make me happy include grandchildren, sunshine, flowers and just the right color combinations.

My third foray into Strickler Draft #760 was a happy one. Color is one of my life-long delights. I am rather a practical person. Still, practicality does not exclude beauty.

I take particular joy in weaving everyday household textiles that are both useful and visually pleasing. This kitchen hand towel exemplifies my goal and makes me happy.

Kitchen Hand Towel, Stickler #760

Structure: Deflected Double Weave, #760 from "A Weaver's Book of 8-Shaft Patterns from the Friends of Handwoven" edited by Carol Strickler

Yarns: 10/2 and 20/2 perle cottons in three solid colors and one variegated. Sett: 30 e.p.i.

Third color way of Stickler #760 on 8 Harnesses

Reverse Side, Third color way of Stickler #760

Spring has sprung. Yard work beckons and the fun continues.

Warp On/Weave Off,

RepWeaver

Weaving and Wishing for Spring

Wishing for Spring Cotton Towel

This has been a tough winter with more snow, colder temperatures and more freezing nights than I can remember. Added to my Midwest Polar Vortex adventure, spring seems a very long time coming. Yet it is still early March. Guess it’s time for patience. In the meantime, I’ve planted several seed trays indoors. Anticipation grows.

While awaiting spring, indoor color adventures continue. Here is the second warp using the Strickler draft #760. The turquoise 10/2 unmercerized cotton had been on my shelf for some time. With 10/2 perle cotton in Porcelain Green, 20/2 UKI mercerized cotton in Banana and 20/2 cotton in a variegation called Spray I think this is a winning combination.

Wishing for Spring Cotton Towel, reverse side

I don’t usually complain about the weather and a few crocus have been blooming. Patience is a virtue, right? Still, I’m very happy that this winter will soon be over – at least according to the calendar.

Warp On/Weave Off,

RepWeaver

2018 Christmas Towels

Christmas was months ago already and I’m back-blogged again. In my defense, travel and an ill loved one are the reason. My dear one endured a final treatment over Dec.24-26. Over the past 11 months suffering has been profound but we saw completion as the ultimate Christmas gift. (Now for the long recovery.) Then I spent the better part of January in the USA Upper Midwest “enjoying” the Polar Vortex and welcoming a new addition to my family. As you can tell, family comes before my weaving. I expect the same is true for you, too.

You may recall my 2017 Christmas towels were waffle weave. Those towels are pretty, soft and super absorbent, a real treat to use. The waffle weave texture works especially well for towels.

When it came to considering structures for Christmas 2018 towels I sought textured weaves. One particular draft caught my eye. In my search and study I kept going back to it. It seemed an unlikely option but it drew my attention so I wove a sample using various odds and ends from my stash.

Two 2018 Christmas Towels, Front and Reverse sides
Left Towel: Strickler Draft #763
Right Towel: Strickler Draft #760

The draft is #760-763 from “A Weaver’s Book of 8-Shaft Patterns from the Friends of Handwoven” edited by Carol Strickler. The short description calls this “Silk Brocade” from a Virginia West workshop. I am no expert on weave structures. My idea of brocade is quite different. But I don't really know. This weave seems to be “Deflected Double Weave” - a term coined, I think, by Madelyn van der Hoogt. If you can tell me more, please comment.

These were my goals:

• Weave Christmas towels in time for gift giving
• Make towels unique from those of previous years
• Weave thirsty towels with texture
• Make use of yarns already on hand
• Try a new structure

Detail, front side - Strickler Draft #760

 The two sides of these towels are very different. It's fun to look at both sides as I dry my hands. Both are nice so I hemmed one end of the towel as if that side was the front and the other end as if the reverse side was the front. That left me with the dilemma of choosing a side for my label. So some are labeled one one side and some are labeled on the other side.

The olive yarn is 10/2 cotton, the terra cotta and yellow yarns are 20/2 cotton. These were all already on my shelf.

Detail, reverse side - Strickler Draft #760

Detail, front side - Strickler Draft #763

Having sampled all four version of this draft, all of my towels except for one were woven using #760. Just for fun I had to try one towel using #763. In spite of some fairly long floats for a towel, this one is nice. In one corner I tried tucking a large sequin in between the plain weave layers. That was nice, not great for a towel but something I'd always wanted to try.

Detail, reverse side, Strickler Draft #763

Did these ever meet my goals! And they were fun to weave. It may have been slow fussy weaving, but the results speak for themselves. My family and friends love these. So do I.

Since I’ve been back at home I tied on to this warp two times more. Watch for photos of those additional color ways to follow soon.

Warp On/Weave Off,

RepWeaver

Wee Pine Tree Coverlets

Wee Pine Tree Coverlets for Baby
Showing both top and reverse sides

Thanks to "Diane in Oregon" I know the original source for this Summer & Winter draft is Mary Meigs Atwaters' Recipe Book: Patterns for Handweavers. Thanks, Diane!

My previous Summer & Winter towel project was the warm-up act for these Wee Pine Tree Coverlets for Baby. The towels were 17" wide in the reed. These little coverlets were 37" wide in the reed for a finished width of 33" wide.

Wee Pine Tree Coverlet for Baby
To show tree trunk colors

Tough as it is to confess it, this was my most difficult warp or very near it. The tan ground yarn in both warp and weft was not quite strong enough and broke easily. It was a 20/2 unmercerized cotton mill end from WEBS.

Again I placed four darker brown ends and one subtly variegated end through the center of each tree trunk in both warp and weft. The resulting grid pattern is pleasing to the eye.

I began the warp weaving topside up, lifting five harnesses against three sinking ones. Never have I dropped shuttles as often. After the first piece I re-tied and wove the remaining three from the reverse side.

Wee Pine Tree Coverlets

The first three coverlets are all woven using 10/2 perle cotton as pattern weft. The bright, bright "sunburst" green coverlet was the final one of this warp. True to form, I waited until the last one to "go out on a limb" and try something slightly different. The bright green came from a friend of a friend who had been a machine knitter. At 14/2, it was an odd size for weaving. But it was cheerfully bright and soft so I tried using a double strand. The result is a soft blanket with slightly more weight than the others. It is slightly out of square but lovely none-the-less.

Wee Pine Tree Coverlets

Yes, these were trouble. In spite of it and of a few obvious errors here and there, these are four sweet Wee Pine Tree Coverlets. I hope four precious little ones enjoy snuggling sweetly beneath them one day.

Warp On/Weave Off,

RepWeaver

Ahem, a Hem

Have you been trying to get my attention? After all, I did promise hemming photos and you have been patiently waiting. But life has a way of interfering with my plans.

The first delay occurred on October 15th. At 14½ years of age, our sweet Jenny had been ailing for quite a while. She was the best of company all her life, especially for the two years while my husband was away working on the East Coast. She was always here for me and sounded the alarm that saved our house from even worse damage in the midnight washing-machine flood. She came to us as a feral rescue cat and proved herself a lady in the best sense. Our time together came to an end the Saturday before last. My husband and I are still grieving her loss. Oh, JennyCat, how I miss you.

That same weekend my mother took two falls. I did not hear of this until Monday morning when she called to ask for a ride to the Emergency Room. Doctors there discovered a compression fracture in her spine. Poor Mom is in terrible pain. She lives in a nearby retirement home but she has needed my time and assistance.

Whenever possible I have been weaving and doing my best to be ready for the Seattle Weavers’ Guild Sale later this week. My latest Wee Coverlets are finished and I wove two stacks of little Rep Weave coasters for the sale. Watch for more photos in a later post.

In the meantime here are a few pictures to show hemming techniques that work for me. At the very least I aim to give you the confidence to finish your handwovens as you please. Remember, there is no right or wrong way, only what works best.

Here is how I weave a hem at the beginning of a Wee Coverlet:

After a contrasting weft to mark the cut line weave

11 shots tabby weft

1 shot variegated weft

12 shots tabby weft

1 shot variegated weft

14 shots tabby weft

Weave the body of the piece. At the end reverse the above weave order for another hem.

Showing contrasting dividing shot (white)
Triple stitch zig-zag overcast on cutting edge
Variegated shots to mark fold lines for the hem

Fold the hem twice, once on each variegated marking line and machine stitch close to the folded edge. I tuck a label end inside the hem and sew both with a small regular-type zig-zag stitch. My labels don't shrink so I wait to stitch the other end down after the first washing/shrinking of each piece.

Label placement has me puzzled. I used to put it in the lower right corner on the back of a piece as if it were the artist signature on a work of art. Here I decided to place it in the "return address" position as if it were on an envelope. Maybe I will go back to the first way of doing it. Maybe.

Label tucked inside and sewn down with the hem

On a side note, being rather the introvert I strive to maintain a low profile. But here you see my label  in detail and there it is (horror of horrors), my name.

A weaver friend recently asked where I got my labels which sent me searching for a web link. They were woven by Xpresa Labels. Here is what I found on their website: Xpresa Lable Examples

Uh-oh, my cover is blown!

Tamer at Xpresa was incredibly helpful. The whole process was done electronically. I created my own design using Adobe Illustrator software and sent a .pdf file to Tamer. Xpresa even wove and sent sample proofs for my approval. Their customer service is top shelf.

The finished hem

I always hem or edge finish pieces before I wash them because I think it gives a more polished finishing. Then on the first washing those stitches shrink right along with the piece. That makes the hem more secure.

Next time I will share another hemming technique and I will share photos of my latest Wee Coverlets and Rep Weave coasters.

Warp On/Weave Off,

RepWeaver (a.k.a. Claudia)

Wee Coverlet in Action

Grandbaby enjoys her Wee Coverlet

This is our newest grandchild snoozing beneath her Wee Swedish Coverlet. Mama says little one spends time examining her blanket, looking at pattern and color changes, and doesn't cry right away on waking. This makes her GrandMama very happy.

Next you see another photo of the six Wee Coverlets from my bright green warp. It was very special to me that one of my weaving friends wanted the yellow one for her new grandson, Jasper. I wish him many pleasant slumbers over a long happy childhood.

The third color way of this warp is in progress. I'm not sure if I will like this version, the colors are a bit dark. But who says baby colors must be pastel? I don't understand because babies are good at making stains. Why shouldn't their clothing and bedding be colorful to begin with? That way keeping baby things looking nice and clean is easier for parents. Colorful wraps set off a baby's natural beauty. Bright colors are happy colors.

Another view of bright green Wee Swedish Coverlets

I intend to offer one or two Wee Coverlets at the Seattle Weavers' Guild annual sale October 27-29, 2016 at St. Marks' Cathedral. If you are interested and in the area, please stop by. Our guild is a group of many talented weavers whose incredible work will be on display. Even if you do not wish to buy, you will not be disappointed with the show of beautiful handwovens. And, as a bonus, weavers are very nice people. Stop by and say hello.

Warp on/Weave off,

RepWeaver

Each One Precious

Wee Swedish Coverlets for Baby by RepWeaver

Weaving Wee Coverlets takes time. Each one is a labor of love. And that is how it should be. Time spent weaving these is perfect for contemplation. For me it really, truly is about devotion. It is my way of adding color, texture and warmth to new lives. Most importantly, it is my expression of love for little ones. Babies are so very precious. May babies and children ever be wrapped in love; may they ever feel precious and cherished. That is my wish for every child wrapped in a Wee Coverlet.

When UKI discontinued 20/2 perle cotton in colors, I ordered several cones from The Georgia Yarn Company. Choices were limited and, without sample cards, color names were all I had. Maybe there was a thumbnail shot of each color, but screens vary. So when the yarn arrived I was surprised at the intensity of this green. The color name is “Kelly Green”. I’d imagined it would be darker. Here was a challenge.

Wee Swedish Coverlet by RepWeaver
Showing Front Side

The warp and Tabby are Kelly Green with purple and yellow stripes plus occasional variegated ends. This particular variegation wasn't as bright. It has teal green, yellow, purple and white and was a bit of a stretch. The two sides of each piece are very different from one another. Variegated ends show more on the underside.

Wee Swedish Coverlet by RepWeaver
Showing Reverse Side

Recently I showed these latest Wee Coverlets to a group of my weaving friends. One of them asked if I thought there were any bad color combinations. I took this as a compliment as it is an excellent question. After a moment’s thought I replied, “Yes”. My idea of a bad color combination is one in which color values are too similar. If value and intensity are too close, pattern and structure can be lost. Scale also plays a part. Equal parts of similarly valued colors compete equally for attention. It is better to use more of one or the other. The “bad colors” question is food for further thought. What a great question!

Weaving this warp of Wee Swedish Coverlets was pure joy. The brightness of the warp and frequent color changes in the included variegated ends added interest. I wish for these six little blankets to swaddle six precious infants well into childhood. Younger siblings may enjoy them, too. That is if the older isn’t a “Linus”, clinging to his blanket for security. Or perhaps a beautiful beloved blankie will be too treasured to relinquish.

Warp On/Weave Off,

RepWeaver

Wee Swedish Coverlets by RepWeaver

Wee Swedish Coverlets, Continued

Wee Swedish Coverlets by RepWeaver

After lengthy procrastination, finally I have a few more photos of my Wee Swedish Coverlets. For the longest time they sat in a neat folded stack on my kitchen island. My camera sat atop the stack.

These blankets are crib sized but still large enough to challenge my photographing capabilities. Perhaps if I had a crib it would have been easier to stage them. These are not excuses so much as evidence of my lack of confidence. In any case, here is what I managed to capture today. Perhaps these photos will give you a better sense of my Wee Coverlets. Now I can email photos to my daughter so she will be able to choose one of these for our tiny grandchild.

Wee Swedish Coverlets showing both fronts and backs

Weaving progresses on the second color way of these coverlets. I am working on the fifth one on the bright green warp and chose a bright pink for the pattern weft. We’ll see how that combination works. Until it is finished and washed I will not know for sure.

Warp On/Weave Off,

RepWeaver

Wee Swedish Coverlets

Finishing Touches

Trimming ends with appliqué scissors

When I take cloth from my loom I hem or edge finish the pieces before I wash them. After that  they go right into the washing machine with warm water and regular detergent. Next they go into the dryer until nearly dry. After that I press them until dry. 

It isn't until then that I take a close final look at each piece. Next comes trimming off all the little loose ends left from refilling shuttles or changing colors. I think of it as akin to writing "The End" after the final chapter of a book, not that I have ever written a book. But the final step in a project is satisfying, a certain kind of fun.

Do you have one of these? This little appliqué scissors is made by Gingher. Its sharply pointed and curved blades make trimming ends neat and accurate.

Right now I am about half-way through weaving a second warp of Swedish Wee Coverlets. The color is eye-popping. Some tiny children are going to love these. Let's hope their Papas and their Mamas like them, too.

Warp On/Weave Off,

RepWeaver

Wee Swedish Coverlet

Wee Swedish Coverlets by RepWeaver

With the arrival of our newest grandchild I needed to weave another Wee Coverlet. Since the Swedish Kitchen draft has been a success, I thought it would be nice to try it as a baby blanket. Mom’s favorite colors are blue and yellow and our baby is a fair, blue-eyed bundle of joy.

Here is a photo of the stack of five Wee Coverlets from this warp. Now all that is left is for me to snap more photos. I’ll post those when they are available. After that my daughter will have to choose one Wee Coverlet from the bunch for her sweet baby girl.

Corner Block of Wee Swedish Coverlet

Nearly glow-in-the-dark warp

Since these are finished, I am working on the next color-way of this design. This one is going to be eye-popping bright. I had been pondering how to use this kelly green 20/2 Perle Cotton from UKI. Paired with a variegated yarn plus yellow and purple this ought to be a winning combination. This new warp is so bright it might just keep me awake at night. Let's hope it doesn't have the same effect on babies. It is going to be fun choosing pattern weft colors.

Warp on/Weave off,

RepWeaver

Swedish Kitchen

Swedish Kitchen Towels, Warp #109 by RepWeaver

Here, at last, are additional photos of Warp #109 towels mentioned in the previous post. Choosing colors and watching them interact gives me great joy while weaving. Having a few variegated ends in the mix mulitplies the fun.

Once these come off the loom there are always "Aha" moments. Colors and combinations that appealed most to me while weaving aren't always my favorites when finished.

Nine Swedish Kitchen Towels, Warp #109 by RepWeaver

Red pattern weft washed out the effect of
red in the variegated warp ends.

Since the variegated ends in this warp were a combination of red, brown, gold and forest green I thought the brighter red pattern weft would be my favorite. But it turned out to compete too much and washed out the effect of red of the variegation. The darker maroon pattern weft was far better, causing the brighter red in the warp to zing.

Swedish Kitchen towel by RepWeaver
Two shades of green that did not seem happy together
Here you see both front and back sides of the towel 

The green towel below was my least favorite while weaving. Its blue green pattern weft seemed to fight the yellow green in the warp and tabby. Do clashing colors set your teeth on edge? That is what these greens did to me as I wove. But in the finished towel the colors worked. One of my weaving friends even said the green one was his favorite of the lot. Green pattern weft does a fantastic job of highlighting the red variegation in the warp.

The reverse side of Swedish Kitchen Towel with Maroon pattern weft
This color combination proved a favorite both on and off the loom

Warp #110 with marled (navy and white plied together) warp ends used where before there were variegated ends

This is the current warp on my loom, the one I wrote about in the last post. I tied it to my two previous warps. The marled warp ends don't seem to be working the way I'd have liked. Maybe this will be another case in which the finished product outshines the work in progress. Let's hope.

Knitted Shaker Dish Cloths

Here is a good way to spend time when away from the loom. These are knitted Shaker Dish Cloths. Leave it to me to find another way to incorporate variegated yarn! These work well and are fun to use. Knit some for yourself or to give as gifts. The pattern is available for free at Very Pink. Look for other great patterns there as well including "World's Best Kitchen Scrubbie", one of my favorites.

That's what I'm up to today. I wonder what will happen tomorrow? One can never be too sure.

Warp On/Weave Off,

RepWeaver

Back in the Saddle (Or Back on the Loom Bench)

Hello, again!

Swedish Kitchen, Detail

It has been a long, long time. For several weeks I have been away. I spent three weeks over Christmas in Washington, D.C. Then most of February I was with our daughter and son-in-law who just gave us our third grandchild. Their new little sweetheart joins an older sister and brother so they are a very busy family. Mine was a working visit but loads of love and fun.  Now I am home again and missing them, yet, home is the very best place. And I am back at my loom.

Here are a few quick shots of my latest towels. I will take more but first I need to iron that stack of towels. Here also is a shot of the third iteration of this design. I am going out on a limb here and using a plied yarn in place of the usual variegated ends. Time will tell if it works. I will be sure to let you know.

Swedish Kitchen Towels by RepWeaver

There are no travel plans in my immediate future but there will be visitors. Oh, and we will be having our siding replaced and the house painted. Neither of these will take me away from home but may limit weaving time. The excitement continues!

Warp on/Weave off,

RepWeaver

Warp #110