Loaded With Possibility

Box Loaded With Possibility

My friend Khris has been reorganizing his studio space and decided this box had to go. It came to him years ago from a friend who was an avid collector of any number of things, sewing thread among them. Now it has come to me in similar fashion and I couldn't be more pleased. It is difficult to say what will happen next. As both a sewer and a weaver, I will enjoy contemplating the possibilities.


By way of thanking Khris I tatted him a bookmark using some of the variegated thread from the collection. It isn't thanks enough for the huge box of beautiful threads but it does take up a lot less space and he appreciated the gesture. Thank you, Khris!

Two Tatted Bookmarks

Here you see the sewing thread bookmark beside one previously shown in progress. This white one is tatted using DMC Cecelia size 30. The pattern is a favorite designed by Jon Yusoff with an ingenious plaited center. These bookmarks are fun to make and fun to use. Here you see them posing atop my current read, Bleak House by Charles Dickens. This particular book is one of a complete Dickens set once owned by my mother who also loved his stories. When she moved to a retirement home, these books came to me. Reading from them makes me happy.

Youngest Grandchild Napping 'Neath Wee Swedish Coverlet

This is my youngest grandchild putting her Wee Swedish Coverlet to use. Though she lives too far away for arms to reach, she is wrapped in my love. I am a happy Grandmama.


Another Pine Tree warp is woven, off the loom and finished. Photos will have to wait for a bit while I prepare to lead a workshop this weekend. More about both later.

Warp On/Weave Off,

RepWeaver

Ahem, a Hem

Have you been trying to get my attention? After all, I did promise hemming photos and you have been patiently waiting. But life has a way of interfering with my plans.

The first delay occurred on October 15th. At 14½ years of age, our sweet Jenny had been ailing for quite a while. She was the best of company all her life, especially for the two years while my husband was away working on the East Coast. She was always here for me and sounded the alarm that saved our house from even worse damage in the midnight washing-machine flood. She came to us as a feral rescue cat and proved herself a lady in the best sense. Our time together came to an end the Saturday before last. My husband and I are still grieving her loss. Oh, JennyCat, how I miss you.

That same weekend my mother took two falls. I did not hear of this until Monday morning when she called to ask for a ride to the Emergency Room. Doctors there discovered a compression fracture in her spine. Poor Mom is in terrible pain. She lives in a nearby retirement home but she has needed my time and assistance.

Whenever possible I have been weaving and doing my best to be ready for the Seattle Weavers’ Guild Sale later this week. My latest Wee Coverlets are finished and I wove two stacks of little Rep Weave coasters for the sale. Watch for more photos in a later post.

In the meantime here are a few pictures to show hemming techniques that work for me. At the very least I aim to give you the confidence to finish your handwovens as you please. Remember, there is no right or wrong way, only what works best.

Here is how I weave a hem at the beginning of a Wee Coverlet:

After a contrasting weft to mark the cut line weave

11 shots tabby weft

1 shot variegated weft

12 shots tabby weft

1 shot variegated weft

14 shots tabby weft

Weave the body of the piece. At the end reverse the above weave order for another hem.

Showing contrasting dividing shot (white)
Triple stitch zig-zag overcast on cutting edge
Variegated shots to mark fold lines for the hem

Fold the hem twice, once on each variegated marking line and machine stitch close to the folded edge. I tuck a label end inside the hem and sew both with a small regular-type zig-zag stitch. My labels don't shrink so I wait to stitch the other end down after the first washing/shrinking of each piece.

Label placement has me puzzled. I used to put it in the lower right corner on the back of a piece as if it were the artist signature on a work of art. Here I decided to place it in the "return address" position as if it were on an envelope. Maybe I will go back to the first way of doing it. Maybe.

Label tucked inside and sewn down with the hem

On a side note, being rather the introvert I strive to maintain a low profile. But here you see my label  in detail and there it is (horror of horrors), my name.

A weaver friend recently asked where I got my labels which sent me searching for a web link. They were woven by Xpresa Labels. Here is what I found on their website: Xpresa Lable Examples

Uh-oh, my cover is blown!

Tamer at Xpresa was incredibly helpful. The whole process was done electronically. I created my own design using Adobe Illustrator software and sent a .pdf file to Tamer. Xpresa even wove and sent sample proofs for my approval. Their customer service is top shelf.

The finished hem

I always hem or edge finish pieces before I wash them because I think it gives a more polished finishing. Then on the first washing those stitches shrink right along with the piece. That makes the hem more secure.

Next time I will share another hemming technique and I will share photos of my latest Wee Coverlets and Rep Weave coasters.

Warp On/Weave Off,

RepWeaver (a.k.a. Claudia)

Evolving While Weaving

I heard from Jasper’s grandmother that he and his family are thrilled with the bright green and yellow Wee Coverlet. May it warm him and the lively colors delight him for years to come. Thinking of him makes me happy.

Wee Swedish Coverlet Warp #113

Fresh off the loom is my final warp of Wee Swedish Coverlets. It’s been nearly two years since I began weaving the “Norse Kitchen” draft. It’s interesting to keep working with a design over a period of time. Repeating a warp over and over offers time and opportunity for experimentation and discovery. By now I feel I know the “language” of this draft. And I made it enough my own to rename it “Swedish Kitchen” and “Swedish Wee Coverlet”.

There is always more to learn. I don’t presume to know anything more than anyone else. My constant disclaimer is, “This is what works for me right now.” Which goes to show that my techniques are constantly under review and often changing. Nothing substitutes for experience. Weaving at the loom is the perfect time to imagine and consider improvements. New ideas pop up all the time. Weaving friends, guild speakers and workshops inspire further thought. Ideas come from books, magazines and groups such as Weavolution. It’s important to admit to myself that I will never know enough while at the same time pursuing as much wisdom as possible.

Stack of 15 Wee Swedish Coverlets minus 2 already in use

Weaving many warps in order to learn as much as I can produces a surplus. Using the Swedish Kitchen draft I wove a total of 73 pieces on nine separate warps. That’s a lot of Kitchen towels and Wee Coverlets. Some of them I will keep for future gifts to family and friends. Two babies already enjoy their coverlets. Other towels and coverlets will go into the Seattle Weavers’ Guild annual sale.

Next time I will post more photos from the last Wee Coverlet warp. Here is the whole stack of 15 from three warps minus the two already in use by my granddaughter and baby Jasper.

Immediately after I snapped a few photos of the way these are hemmed, a commenter asked how I finished them. So next time you can expect to see photos of the way I sew hems.

Warp On/Weave Off,

RepWeaver

Each One Precious

Wee Swedish Coverlets for Baby by RepWeaver

Weaving Wee Coverlets takes time. Each one is a labor of love. And that is how it should be. Time spent weaving these is perfect for contemplation. For me it really, truly is about devotion. It is my way of adding color, texture and warmth to new lives. Most importantly, it is my expression of love for little ones. Babies are so very precious. May babies and children ever be wrapped in love; may they ever feel precious and cherished. That is my wish for every child wrapped in a Wee Coverlet.

When UKI discontinued 20/2 perle cotton in colors, I ordered several cones from The Georgia Yarn Company. Choices were limited and, without sample cards, color names were all I had. Maybe there was a thumbnail shot of each color, but screens vary. So when the yarn arrived I was surprised at the intensity of this green. The color name is “Kelly Green”. I’d imagined it would be darker. Here was a challenge.

Wee Swedish Coverlet by RepWeaver
Showing Front Side

The warp and Tabby are Kelly Green with purple and yellow stripes plus occasional variegated ends. This particular variegation wasn't as bright. It has teal green, yellow, purple and white and was a bit of a stretch. The two sides of each piece are very different from one another. Variegated ends show more on the underside.

Wee Swedish Coverlet by RepWeaver
Showing Reverse Side

Recently I showed these latest Wee Coverlets to a group of my weaving friends. One of them asked if I thought there were any bad color combinations. I took this as a compliment as it is an excellent question. After a moment’s thought I replied, “Yes”. My idea of a bad color combination is one in which color values are too similar. If value and intensity are too close, pattern and structure can be lost. Scale also plays a part. Equal parts of similarly valued colors compete equally for attention. It is better to use more of one or the other. The “bad colors” question is food for further thought. What a great question!

Weaving this warp of Wee Swedish Coverlets was pure joy. The brightness of the warp and frequent color changes in the included variegated ends added interest. I wish for these six little blankets to swaddle six precious infants well into childhood. Younger siblings may enjoy them, too. That is if the older isn’t a “Linus”, clinging to his blanket for security. Or perhaps a beautiful beloved blankie will be too treasured to relinquish.

Warp On/Weave Off,

RepWeaver

Wee Swedish Coverlets by RepWeaver

Wee Swedish Coverlets, Continued

Wee Swedish Coverlets by RepWeaver

After lengthy procrastination, finally I have a few more photos of my Wee Swedish Coverlets. For the longest time they sat in a neat folded stack on my kitchen island. My camera sat atop the stack.

These blankets are crib sized but still large enough to challenge my photographing capabilities. Perhaps if I had a crib it would have been easier to stage them. These are not excuses so much as evidence of my lack of confidence. In any case, here is what I managed to capture today. Perhaps these photos will give you a better sense of my Wee Coverlets. Now I can email photos to my daughter so she will be able to choose one of these for our tiny grandchild.

Wee Swedish Coverlets showing both fronts and backs

Weaving progresses on the second color way of these coverlets. I am working on the fifth one on the bright green warp and chose a bright pink for the pattern weft. We’ll see how that combination works. Until it is finished and washed I will not know for sure.

Warp On/Weave Off,

RepWeaver

Wee Swedish Coverlets

Marled Madness

Already it is April but the whole "March Madness" hype still rings in these ears. So I decided to make my own version and changed it to "Marled Madness".

Swedish Kitchen Towels with Marled yarn warp ends

Do you remember my puzzlement over how to use marled yarn? What is marled yarn? It is yarn of two or more colors plied together. The tube I have consists of one ply of navy blue and one ply of white spun together.

While pondering this question I decided to try using marled yarn in my Swedish Kitchen towels. It is in the places where I previously used variegated ends. This warp was maddening to weave because it was difficult to see where I was when doing the border.

While on the loom these did not impress me at all. In fact, they were hard to weave because they did not excite me.

Fortunately, initial impressions are often mistaken as was the case here. The finished towels are nicer than anticipated. Doing these was a good experience and I like them very much now.

In two of these towels I added marled tabby ends throughout. Weaving with three shuttles was fussy but the result is nice. The red and gold towels were done this way.

Detail of Swedish Kitchen Towel using marled ends in warp and tabby weft

Swedish Kitchen Towel

I put another new idea to use on the hems. You can see a couple of marled weft shots in the photo. They are spaced in such a way to mark the fold lines. This worked very well for me and I like the way it looks. Having that marled end near the sewing line at the top of the hem helped keep my sewing in a nice straight line.

For my next warp I am looking at colors and drafts for another of my "Wee Coverlets". There is a precious new addition to our family. I want to swaddle her in my love even though she lives very far away.

Warp On/Weave Off,
RepWeaver

Miniature Norse Kitchen - Third Warp

Miniature Norse Kitchen towels

Darker teal yarn used as both warp and tabby in borders

Here you see finished towels from the third warp of my Miniature Norse Kitchen draft. This warp was shorter than usual due to limited supply of yarn. Look closely and you will see a darker shade of teal blue added into the borders. Sometimes I mix in other colors of warp for design interest. Other times I mix in additional solid warp colors due to limited supplies of yarn. It is a great way to use up small bits of yarn. Each of these reasons was relevant with this warp.

Third color way of Miniature 

Right side of Miniature Norse Kitchen

Both sides are beautiful. The variegated and darker teal is more obvious on the reverse side. If you ask me, either side could be considered the "right" side.

Warp On/Weave Off,
RepWeaver

Reverse side of Miniature Norse Kitchen

Decisions, Decisions

Sometimes it takes awhile to come up with color choices. Once the warp colors are decided it becomes easier. When I weave, each piece is unique. In other words, I do not set a palette to follow for the entire length of the warp. Maybe this shows a lack of attention span. I like to think it is merely excitement to find out how each pattern weft choice works with the warp colors.

Playing with colors for RepWeaver Warp #103
Three cones on the right are for warp.
Others are possible pattern weft colors.
I used all of them except the jade one at the back.

Recently I was reminded of a childhood disappointment. Crayola Crayons began making their famous 64 color box with sharpener when I was small. How I longed to have so many beautiful colors. On Saturdays one of my favorite things to do was listen to storybook records (the former version of audio books). While listening I would take crayons and paper and draw illustrations to go along with the story of the moment. Oh, to have my very own box of 64 colors!

But mother had other ideas. You see, she had six children and a limited budget and was worried about her living room carpeting. The sharpener on the back of the box was my undoing. It made her fear probable carpet stains from loose crayon crumbs. When I was much older I bought my own box of 64 colors. Even then, having all those colors made me very happy. It's probably just as well there weren't markers for children back then. Not having markers would simply have been another source of sorrow in my youth. Mom would have worried about her walls.

Neither crayons nor markers can beat colored pencils for shading and combining colors. As a teenager I discovered Prismacolor pencils and an entire new world opened up to me. But I digress . . .

Watching the colors cross is like watching woven fireworks.
Pattern weft here is "Eggplant" and not included in the original line-up.

Pulling out cone after cone of yarns and arranging and rearranging color line-ups is no end of fun. It is almost like having a big box of crayons (without the sharpener). Imagining the interaction of warp colors crossing weft colors thrills me every time.

Next time I'll show you more photos of Warp #103.

Warp on/Weave Off,
RepWeaver

Norse Kitchen Miniature - Second Warp

Miniature Norse Kitchen by RepWeaver, Group photo

Miniature Norse Kitchen by RepWeaver, Group photo

Norse Kitchen in miniature was such a satisfying weave project I couldn't wait to get back to the loom for another round.


This time I chose a warp of 20/2 UKI perle cotton in color #52 Chestnut. To this I added variegated ends at specific spots in the draft across the warp. These warp ends range in color from brown to gold to olive green to red. Click on the detail photos for a closer view of how these variegated colors seem to magically appear and disappear in the finished towels.


Even though overshot is a two-shuttle structure, weaving these was a lot of fun. Watching the variegations morph from one color to the next adds interest during the process. When warping I don't try for any Ikat effects but sometimes this happens. Serendipity is part of the fun.

Warp On/Weave Off,
RepWeaver

Norse Kitchen Miniature
Detail showing variegated warp ends

Norse Kitchen Miniature
Detail showing variegated warp ends

Norse Kitchen Miniature
Detail showing variegated warp ends

Conundrum Solved

How did I solve those four problems that bothered me about "Norse Kitchen"?

Miniaturized "Norse Kitchen" (red)
"Norse Kitchen" original towel (blue)

Recently I have been inspired by the work of Josephine Estes and Bertha Gray Hayes and have been weaving a lot of Miniature Overshot. So the ideal solution was already on my radar - write my own miniaturized version of "Norse Kitchen".


Once I'd finalized my Mini "Norse Kitchen" draft I needed to adjust the number of center repeats to maintain the same width as my original towel warp. Then I cut off the first few towels I'd woven using the old draft and rethreaded the remainder of that warp with the revised design. This required three additional warp ends. I also decided to add one more twill repeat at each selvedge which added another eight ends.

Miniaturized "Norse Kitchen" towels

While I was at it I changed the direction of some of the border twill lines so each border is symmetric. You can see the change in the red towel above the original blue one. It is even clearer in the detail of the magenta towel below.

Weaving the rest of the warp was thrilling because the result brought me great joy. Never again will I view an overshot draft without wondering how it would work in miniature. Such fun!

Miniature "Norse Kitchen" - Detail

Miniaturized "Norse Kitchen" towels showing the reverse sides.
It's hard to decide which side is my favorite.

Warp on/Weave off,

RepWeaver

Mystery Warp

In Memory of Lynn

Recently a weaver friend of mine passed away leaving a substantial collection of yarns. My weavers' guild was the recipient of her stash. Each month for several months tables bearing cone after cone of yarn were set up and offered to members in exchange for voluntary donations. The guild turned the proceeds over to a member scholarship fund. The generosity of our late friend and her widowed husband will long be remembered and appreciated.

Cat Tracks and Snail Trails lap robe woven with mystery warp yarn.
(In the background you can see one of my warp painted rep rugs.
The trim on the upholstered sofa is my own Kumi Himo braid.)

I was able to pick up some nice yarns, in particular perle cottons for weaving Miniature Overshot. My latest warp was from one of these yarns. I saw it in the perle cotton section and took it home without further thought. That is, until I went to wind it into a warp. It seemed slightly fuzzy and I worried it would cause sticky trouble. But beaming it was easily accomplished without tangles. Still, it did not behave like cotton.

The pattern I chose is a miniature version of Cat Tracks and Snail Trails. I adapted the draft from a towel in Handwoven's Design Collection #5: Dishtowels. The towel draft was by Carol Strickler and appears on page 19 with a photograph on the back cover.

Cat Tracks and Snail Trails is an asymmetric design posing special challenges when designing borders. I struggled to come up with a satisfactory idea, but am still not entirely satisfied.

As usual, I enjoyed mixing random variegated ends into the warp. By the time I had woven the first piece it occurred to me that the warp may not actually be cotton. So I cut the first piece off, hemmed it and machine washed and dried it. The result is very pleasant, it drapes beautifully and kept a lovely sheen. Now I think that the mystery yarn may be Rayon.

Another surprise was different shrinkage rates for the tan and the variegated warps. The tan main color shrank more than the variegated. This made the variegated more apparent both in color and texture. It is an interesting result and one that bears some thought and further experimentation.

So here is the final result, four nice 36x62" lap robes, one 36" square wee coverlet and a small end piece (the navy blue one). The one with magenta pattern warp was a stretch color-wise. But once it was off the loom I found it to be quite successful.


I have one more cone of the mystery yarn. I wish I had several.

 Thank you, Lynn.

Wee Coverlets for Baby Revisited

 Wee Coverlets are a blast to weave even though they take a lot of time. I wanted to thread another warp. Here is the result - seven coverlets and a small eighth piece, perhaps a ⅔ coverlet.

Wee Coverlets for Baby by RepWeaver

The warp is 20/2 mercerized cotton in Natural with a few yellow ends and two variegated ends in the borders. The pattern wefts are 10/2 mercerized cotton.

Wee Coverlets with source book.

This is the little book where I found the Miniature Overshot draft I used. The title is Miniature Patterns for Hand Weaving: Part II by Josephine E. Estes. This book is in the public domain. You can find it as a PDF here: Original Miniature Patterns for Hand Weaving: Part II
The draft I used is Maltese Cross found on page 9 of the book.

Detail of Wee Coverlet, Maltese Cross by RepWeaver

Detail of Wee Coverlet, Maltese Cross by RepWeaver

Next you see a couple of close-ups to show you how the border colors worked out. The maroon one looks different than the rest because I used the warp yarn as tabby until it ran out. After that I substituted a tan yarn, slightly darker than the warp color. The result makes for a livelier background that I find pleasing.

 

Two Wee Coverlets side-by-side for comparison

Here are side by side coverlets from two warps. The one on the left is from a previous warp. Its draft is Lover's Knot I. The one on the right is a Maltese Cross wee coverlet.

Studio Helper

Dear, dear Dot. She truly thinks this is helping. As far as our two cats are concerned, the loom is nothing but a jungle gym. A nice big jungle gym from which no end of adventures in climbing and jumping are to be had. That might explain several of the more interesting scratches to be found there. Kitten intervention may be more annoying than otherwise but really, how can I argue with such a sweetie?

Dot hard at work.
As you can see here, being cute takes quite a bit of effort.

Dressing my loom took a bit of time and effort over the long weekend. In this warp there are 1139 ends of 20/2 cotton sett at 30 e.p.i. It is 38" wide in the reed. That is a problem because my widest temple, the one you see here, expands to a maximum of 37". Argh! Guess I didn't think about that when designing this project. So I had to order a wider temple and am hoping priority mail really means two days. It is supposed to be only two days, isn't it? Or is that just a soft target?

Here you see the first of my latest round of baby coverlets, this time in a miniature overshot pattern from Josephine Estes called "Maltese Cross". I can't decide which this orange color way reminds me most of -- Dixie Cups or Creamsicles. Which do you think fits?

Warp On, Weave Off
RepWeaver

Wee Coverlet for Baby

Even though my granddaughter is already five and my grandson is already one, I have always wanted to weave baby blankets for them. The main hang-up was the generosity of my daughter and son-in-law's friends who showered our baby grandchildren with quilts and baby afghans both knitted and crocheted. Weaving to give them even more blankets seemed redundant.

Wee Coverlets for Baby by RepWeaver

Then I started thinking about it and had a change of heart. My Glimakra loom is 53" wide yet I rarely weave anything that wide. Baby blankets are a perfect project to spread out a bit. Besides, the hand towels I have been weaving in miniature overshot seemed the perfect structure for little blankies. My wee ones might enjoy having something from Grandmama and maybe, just maybe, they would cherish it in the years to come.

It was the month of March when I began this project. My chosen warp color was green. In the spirit of St. Patrick's Day, I decided to call these little baby wraps "Wee Coverlet for Baby".

You will notice my usual inclusion of a few variegated warp ends at irregular intervals. A little extra visual interest is good for babies, right? If nothing else, I enjoy watching the colors change as I weave away. I developed the draft using "Lover's Knot No. 1" from "Miniature Patterns for Hand Weaving, Part 1" by Josephine Estes.

Wee Coverlet for Baby, detail

These were very, very fun to weave and I intend to weave more in the very near future. Once I have a good stack of them I will let my wee ones have their pick of a "Wee Coverlet" each. They live far away but will be coming to visit in late summer. I can't wait. Until then there will be hours and hours of fun at my loom.

Wee Coverlet for Baby, detail

The Beanie Baby bunny appears only in order to give you an idea of scale. Beanies really aren't good toys for babies.

Warp On, Weave Off
RepWeaver

Wee Coverlets for Baby by RepWeaver