Waves of Waffles

Waves of Waffle Weave yardage
The color here is far from accurate, check the next photo for a better idea.

Waffle Weave with plain weave, Detail
The color here shows a bit better

This waffle yardage was the next project after Ketchup & Mustard. The draft works well and is satisfying to weave so I simply wanted to continue with more of the same.

Lately, making use of yarns already on hand has been a recurring theme among my weaving friends. Collecting yarn is easier than weaving with it and we are mostly of “a certain age”. Also, sadly, the members of our guild are aging and leaving yarns for us to weave in their honor. Thus we are busily working to make the most of what we have while we can. I suppose it's a grains of sand in the hour glass type of goal.

Here I chose 16/2 dark teal green cotton, combining it with 20/2 black perle cotton and a 20/2 cotton variegated yarn. The teal colored yarn came from the estate of Lynn, a late guild member. She will not be soon forgotten.

The woven piece is yardage. Happily, I used a lot of yarn to weave it. Now what have I been mentioning about getting around to sewing?

Precious youngest grandson
giving his Wee Pinetree Coverlet a workout

 My youngest grandchild loves his Wee Pinetree Coverlet. Today his dear mother took this snapshot while he napped. Precious child, precious mother . . .

Christmas is nipping at our heels and there is still much to be done. I have been busy weaving Cottolin towels. Yet, there are warps between the waffles and the towels. After I take photos I’ll write about my adventures with Taqueté and Samitum.

Merry Christmas!

Warp On/Weave Off,

RepWeaver

Why RepWeaver?

Rep is one of my favorite weave structures and I have woven lots and lots of Rep.

An alternate allusion is “repeat” or “repertoire”. The second usually refers to a stock set of plays, songs, etc. performed on a rotating schedule. 

For the most part I weave each of my designs three times, tying on to the first warp twice. This way I can try a variety of colors and make slight design changes on each subsequent warp, learning as I go.

Results of my Waffle Weave adventures
6 Harness Waffle Weave (far left to right) light blue, olive, red
7 Harness Waffle Weave (center left to right) dark teal, pink, dusty plum

In my waffle weave adventures I wove two variations: one on 7 harnesses, the other on 6 harnesses. Both were warped with three different color versions. Here they all are.

Fall is coming - my favorite season. It's a great time to switch gears and seek new adventures. Time to get back to Rep Weave.

Warp On/Weave Off,

RepWeaver

Teal Waffles

A cone of 16/2 dark teal cotton found its way to my stash. It sat on the shelf for a long time. I have not been using 16/2 and since I haven’t used it I haven’t collected many cones of this size. Recent waffle adventures were the perfect chance to use what little 16/2 I had.

The "right" side of Teal Waffles hand towel

The lighter stripes in this warp are actually a lovely pale grey. I expected the bright colors in the variegated yarn to really pop where they peek through in the center of each waffle cell. It seems the teal yarn has a bit more loft than yarns in previous warps. It bloomed slightly in the wash and now the colors barely show at all.

The "wrong" side of Teal Waffles hand towel

The reverse side is nice though. That is where those colors really sing. When the towels were all finished and washed I wished they'd been hemmed to the other side making the reverse the "right" side. 

The nice thing is, when drying hands, both sides of the towel are easily visible and enjoyed. And besides, there is always the next warp.

Warp On/Weave Off,

RepWeaver

Waffling Away – Sample #4

My exploration of waffle weave drafts continues. This time I chose to use more of the 14/2 machine knitting cotton in an eye-popping green and navy blue. The sett is 35 e.p.i.

The draft is my own modification of Strickler #388. Floats in my previous samples (#1 & #2) seemed too long for towels. Snagging on rings is my primary concern since I plan to weave hand towels. So I merely shortened the floats by shortening the “V” of the waffle cells in both threading and treadling, omitting shaft 8 and treadle 8 and adjusting accordingly.

Variegated ends that peak out from the center of each cell add interest. The changing colors work well on the reverse side making for a lively surface grid. Both sides are nice.

Top left: Unwashed and unfinished sample with sewing thread weft for hem
Top right: Navy blue sewing thread for hem weft, machine hemmed, machine washed and dried
Lower: Reverse side, machine washed and dried

This cloth is rather satisfying. As well as being great for hand towels, it would be fantastic for baby blankets. I am on the right path but there is one more idea to test.

Warp On/Weave Off,

RepWeaver

Wee Coverlet in Action

Grandbaby enjoys her Wee Coverlet

This is our newest grandchild snoozing beneath her Wee Swedish Coverlet. Mama says little one spends time examining her blanket, looking at pattern and color changes, and doesn't cry right away on waking. This makes her GrandMama very happy.

Next you see another photo of the six Wee Coverlets from my bright green warp. It was very special to me that one of my weaving friends wanted the yellow one for her new grandson, Jasper. I wish him many pleasant slumbers over a long happy childhood.

The third color way of this warp is in progress. I'm not sure if I will like this version, the colors are a bit dark. But who says baby colors must be pastel? I don't understand because babies are good at making stains. Why shouldn't their clothing and bedding be colorful to begin with? That way keeping baby things looking nice and clean is easier for parents. Colorful wraps set off a baby's natural beauty. Bright colors are happy colors.

Another view of bright green Wee Swedish Coverlets

I intend to offer one or two Wee Coverlets at the Seattle Weavers' Guild annual sale October 27-29, 2016 at St. Marks' Cathedral. If you are interested and in the area, please stop by. Our guild is a group of many talented weavers whose incredible work will be on display. Even if you do not wish to buy, you will not be disappointed with the show of beautiful handwovens. And, as a bonus, weavers are very nice people. Stop by and say hello.

Warp on/Weave off,

RepWeaver

Wee Swedish Coverlets, Continued

Wee Swedish Coverlets by RepWeaver

After lengthy procrastination, finally I have a few more photos of my Wee Swedish Coverlets. For the longest time they sat in a neat folded stack on my kitchen island. My camera sat atop the stack.

These blankets are crib sized but still large enough to challenge my photographing capabilities. Perhaps if I had a crib it would have been easier to stage them. These are not excuses so much as evidence of my lack of confidence. In any case, here is what I managed to capture today. Perhaps these photos will give you a better sense of my Wee Coverlets. Now I can email photos to my daughter so she will be able to choose one of these for our tiny grandchild.

Wee Swedish Coverlets showing both fronts and backs

Weaving progresses on the second color way of these coverlets. I am working on the fifth one on the bright green warp and chose a bright pink for the pattern weft. We’ll see how that combination works. Until it is finished and washed I will not know for sure.

Warp On/Weave Off,

RepWeaver

Wee Swedish Coverlets

Nordic Kitchen Redux

Nordic Kitchen Christmas Towels
Nine towels from this warp all in a stack
I'm paging through them in order, photographing each as I flip to the next one.

Once our house was finally repaired it was high time for a new weaving project. Many boxes of our packed-up belongings still haunt me. But it is December and they will simply have to wait. What is the point of unpacking things with a move impending? Instead of the rugs I had been planning prior to the flood, I wandered back to an all-time favorite draft. Yes, Nordic Kitchen was calling to me.

For the longest time, this bright yellow 20/2 cotton has been on my shelf. I always liked the color but was intimidated by its intensity. This is not a timid yellow. The thought that it is better to use it than move it gave me the jump start I needed. Besides, it had been such a long time since I wove, this could be a viewed as a test case. That way if it didn't work out all would still be well. I use a sett of 30 e.p.i. and sleyed two ends per dent in a 15 dent per inch reed. The pattern weft is 10/2 perle cotton.

Nordic Kitchen - Detail showing warp and tabby color changes

I combined the bright yellow with a pale yellow in the center of two red bands in the borders and added my ever favorite variegated ends. The color changes really pumped up the impact of an already striking border, a happy result.

I have to stop here and make an observation about my loom. It is a 135 cm Glimakra Standard. The water removal team and I took it apart in the dead of night. The poor thing was unceremoniously dumped in piles. There was a good chance parts might be missing. But it all went back together beautifully. Believe it or not, I put it back together by myself which brings me to my point. For years (years, I mean, YEARS) my poor loom had been in need of a tune-up. I just didn't ever want to break it down and take a break from weaving. And my loom deserved better of me; it is a very reliable, hardworking machine. Now that it is back together again, it works better than ever. Myriads of tiny adjustments over many years and many warps added up to major headaches. Now everything is back nice and tight and in alignment again. My loom has to be as happy as I am about that.

Nordic Kitchen Christmas Towels
Front side and reverse side are equally pleasing.

This post-flood warp is slightly different from my previous Nordic Kitchen warps. I went back to find the original source cited in Marguerite Porter Davison and found the earlier draft by Caroline Halverson contained five repeats while the Davison draft had only two. So I took my earlier draft and added one more repeat in that section of the border. Maybe eventually I will switch to five repeats because I really like the difference. I'm thinking of renaming my version of this draft Swedish Kitchen. Wink, wink!

Swedish Kitchen towels by RepWeaver.
Pattern weft colors clockwise from left: Black, Orange,
Elm Green, Burgundy, Nautical Blue, Ink Blue and Eggplant

So here they are - my 2015 Christmas towels. I wish the recipients as much joy using them as I had weaving them. And I wish you, my readers, joy as well.

Merry Christmas and Happy New Year!

Warp On/Weave Off,
RepWeaver

To Variegate or Not To Variegate

To Variegate or Not To Variegate?
Yes, that is the question (with my apologies to William Shakespeare).

Since I was very young, variegations have attracted my eye. It's innate if you ask me, I truly can't help wanting to include as much color interest as possible in everything I weave.

Every available color way of variegated yarn, especially 20/2 cotton, must join my collection. Call it compulsive if you must. I don't care. It doesn't matter whether I have a particular use for it or not, if it is available it must come home to my studio.

Considering color choices for my current warp

When planning a project, all my colors come out on parade. They line up on the loom bench where they can be arranged, re-arranged and contemplated. Out come the variegated yarns along with the solid colored. I arrange the variegated yarns with likely base colors. If you ask me, the most important thing about using variegations is to use them sparingly. A little really does go a long way.

Variegated from reds to oranges to yellows
Solid yellow or solid red to coordinate

The goal is to find a solid colored yarn to match one of the mid-range colors contained in a variegated color way. This variegated yarn is a combination of shades from reds and oranges through to yellow. My preference would be to pair this variegation with an orange solid color. Right now I don't have any orange. So red or yellow solid can do and I have used both. But neither are my actual first choice.

The variegated yarn is wrapped around the solid yarn cone to get an idea of how they would work together. My aim to use a mid-range color is so the colors come and go within the whole of the warp. That is, I want there to be one main color into which the variegated ends seem to appear and disappear. Ideally I want these magical color highlights to be both darker and lighter than the solid main color.

Trying to decide a solid color to pair with this variegated yarn

Here are a few possible base colors to pair with a variegated that morphs from white to yellow, teal, green and purple. Since there are so many colors included in this variegation, there are lots of possibilities for solid pairings. These are the choices that happened to be on my shelf. I like the brighter teal, second from left. But there wasn't enough of it to use for the entire warp. So I used it as border stripes combined with the more dusty teal.

When winding the warp sometimes I will add a variegated end at random intervals. But this time I was using my Miniature Norse Kitchen draft and carefully planned where I wanted those extra colors to "peek-a-boo" within the weave structure.

Miniature Norse Kitchen Overshot
"Peek-a-boo" variegated ends placed at intervals
Bright teal added in as border stripes

This combination is what I am weaving at the moment. I'll show you how the towels turn out once they are off the loom and finished.

One last note. Recently a weaving friend asked me if there was a difference between variegated and space-dyed yarns. Perhaps there is a difference in process or color arrangements. I guess I'd assumed they were the same. But I honestly don't know. Do you?

Warp On/Weave Off,
RepWeaver

Norse Kitchen Miniature - Second Warp

Miniature Norse Kitchen by RepWeaver, Group photo

Miniature Norse Kitchen by RepWeaver, Group photo

Norse Kitchen in miniature was such a satisfying weave project I couldn't wait to get back to the loom for another round.


This time I chose a warp of 20/2 UKI perle cotton in color #52 Chestnut. To this I added variegated ends at specific spots in the draft across the warp. These warp ends range in color from brown to gold to olive green to red. Click on the detail photos for a closer view of how these variegated colors seem to magically appear and disappear in the finished towels.


Even though overshot is a two-shuttle structure, weaving these was a lot of fun. Watching the variegations morph from one color to the next adds interest during the process. When warping I don't try for any Ikat effects but sometimes this happens. Serendipity is part of the fun.

Warp On/Weave Off,
RepWeaver

Norse Kitchen Miniature
Detail showing variegated warp ends

Norse Kitchen Miniature
Detail showing variegated warp ends

Norse Kitchen Miniature
Detail showing variegated warp ends