Spring Sunshine and Happy Colors

Great Colors Make Me Happy

Things that make me happy include grandchildren, sunshine, flowers and just the right color combinations.

My third foray into Strickler Draft #760 was a happy one. Color is one of my life-long delights. I am rather a practical person. Still, practicality does not exclude beauty.

I take particular joy in weaving everyday household textiles that are both useful and visually pleasing. This kitchen hand towel exemplifies my goal and makes me happy.

Kitchen Hand Towel, Stickler #760

Structure: Deflected Double Weave, #760 from "A Weaver's Book of 8-Shaft Patterns from the Friends of Handwoven" edited by Carol Strickler

Yarns: 10/2 and 20/2 perle cottons in three solid colors and one variegated. Sett: 30 e.p.i.

Third color way of Stickler #760 on 8 Harnesses

Reverse Side, Third color way of Stickler #760

Spring has sprung. Yard work beckons and the fun continues.

Warp On/Weave Off,

RepWeaver

Blogging Along

Here is one case in which the third try was certainly not the charm. It isn’t that the results do not please. I was simply pushing the design without a full understanding of the structure. Further study is in order and I aim to revisit Colonial Patterned Double Weave before long.

These are the result of my attempt to add border effects. This time I took inspiration from Bertha Gray Hayes’ draft “Springtime Fancy”. The design worked very well in double weave. But the way I tried to add the borders did not. The first coaster shows the border and the next two or three show errors as I tried and tried to rethread the warp without the experimental part. Eventually I righted the whole mess and came out with some nice little pieces.

I continued playing with the idea of using two shades of the same colors in warp and weft. The green/teal version appeals most to me. The variation adds depth and kind of hints at shadow weave.

These are the best size for coasters of my three warps. I wove the long piece specifically for a narrow shelf. Plenty of hand woven textiles help make a house a home.

Coasters from three Colonial Patterned Double Weave warps

It's always nice to have an assistant in my busy little studio.
Latest rugs in progress on the loom.

By   the way, the other day I made an exciting discovery. A photo in the Spring/Summer issue of Handwoven Magazine attracted my eye. There on page 27 were two beautiful towels woven in the “Norse Kitchen” design from “A Handweaver’s Pattern Book” by Marguerite Porter Davison – the draft that inspired my miniature version of the same draft. What fun!

Last time I wrote about my little weaving studio. Here it is in all its messy glory. I’d be happy to spend every day there and so would my cats. Perhaps you can spot Squeak in one of her favorite spots?

Warp On/Weave Off,

RepWeaver

Double the Trouble, Double the Fun

My friend Susan showed our Rug Study Group some intriguing coasters she had woven. They were from a draft by Judie Eatough on page 62 of the book “Best of Weaver’s: The Magic of Double Weave”. The structure caught my imagination. Except for a pick-up sampler many years ago, I hadn’t woven double weave.

"Colonial" Double Weave Coasters -- Design by Judie Eatough

Now I am navigating the unknown waters of “Colonial” or “Overshot Patterned” Double Weave. The structure is related to Overshot only in the sense that double weave drafts are created using the designs in overshot drafts. How it all works is still a mystery to me but I aim to figure it out. With this goal in mind I have woven three “Colonial” Double Weave warps.

The first one is the same as the one in the book that Susan showed me. The other two are designed by me using inspiration from “Weaving Designs by Bertha GrayHayes: Miniature Overshot Patterns”.

Reverse Sides of "Colonial" Double Weave Coasters

Detail of "Colonial" Double Weave coaster
Motif not woven to square. Bother!

Here you see the results from my first warp and it is confession time. My beat was way too firm and the design is not square. This is not an overshot structure but rather a double-layered twill structure. I tend to use too much tension in all my work. Here you see the result of my natural tendency -- squished motifs. ARGH!

After this experience I made several changes for my second “Colonial” Double Weave warp. Watch for details.

On/Weave Off,

RepWeaver